Description
The music on the first two tracks on “Rock Puzzle”: L’Age d’Or and L’Ultime Rock makes a very mixed impression on me. It is about quite a strange combination of Pop Rock and Classic Symphonic Art-Rock. To say more precisely, all the vocally instrumental parts here are built by a simple couplet-refrain ‘scheme’, while the arrangements in purely instrumental parts fully correspond to the unwritten laws of Classic Art-Rock. Female backing vocals, romantically optimistic moods, and elements of light Classical Music – these are the other notable aspects of the songs standing at the head of the album’s track list. Surprisingly, the next piece: Kaelka (3) turned out to be a real gem of Classical Music. For the most part, it consists of diverse and beautiful, and what’s central, constantly developing interplay between passages of piano, those of a few violins, and solos of oboe. Kaelka should have certainly been placed on track 4, because on Smarta Kitschy (4), Atoll are unexpectedly back to the ‘Classic Symphonic Pop Rock’ they started with, though the vocal parts here are more diverse than those on the first two tracks on the album. Beginning with the fifth track, the band quite radically changes a musical direction as if having remembered that they’re a classic Art-Rock band, after all. A true, diverse and intriguing, by all means excellent Symphonic Art-Rock with pronounced elements of real Classical Music is presented on Eau, La Maison de Men-Taa, and Puzzle (5, 7, & 8). Although Garces de Femmes (6) is more accessible than these three, unlike all the songs located in the first half of the album, it conforms to the concept of Classic Art-Rock in its entirety. Among the three bonus tracks: Here Comes the Feeling, No Reply, and Eye to Eye, the first was written by Wetton and is most likely the worst song ever recorded in Atoll’s history. It is clearly of ‘pre-Asian’ origin, is very poppy, and doesn’t contain separate instrumental parts at all. The other two bonus tracks, written by the Atoll musicians, are on the whole on par with the first two songs on “Rock Puzzle”, though stylistically, they’re about a progressive Hard Rock.
